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by Karen Sánchez-Eppler (Author)
In this striking study of the pre-Civil War literary imagination, Karen Sánchez-Eppler charts how bodily difference came to be recognized as a central problem for both political and literary expression. Her readings of sentimental anti-slavery fiction, slave narratives, and the lyric poetry of Walt Whitman and Emily Dickinson demonstrate how these texts participated in producing a new model of personhood--one in which the racially distinct and physically constrained slave body converged alongside the sexually distinct and domestically circumscribed female body.
Extremely well researched, finely nuanced, and clearly written. . . . Her analyses are stunning. . . . This study juxtaposes consideration of noncanonical works with canonical works to produce remarkable insights about the politics of the body during an intensely political period of the nineteenth century.--Barbara Christian, author of Black Women Novelists
Karen Sánchez-Eppler is Professor of American Studies and English at Amherst College.
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