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by Robert M. Adams (Author)
The Roman Stamp: Frame and Facade in Some Forms of Neo-Classicism by Robert M. Adams investigates how modern writers, artists, and thinkers have repeatedly turned to Rome as both a model of authority and a stage set for self-fashioning. Adams traces how figures from Mantegna and Scaliger to Swift, Piranesi, and Johnson appropriated Roman ideals--law, order, grandeur, severity--not merely as passive inheritances but as active instruments for rebirth, critique, or parody. With clarity and wit, he shows that neo-classicism was never just a glaze of marble columns or Latin tags but a creative struggle with the Roman stamp: a masculine, disciplined style imposed on the accidents of nature and personal history.
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