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by J. Harding (Editor), C. Rosenthal (Editor)
Few individuals have positioned their work more controversially or consequently than Richard Schechner within the pivotal debates that define Performance Studies. The Rise of Performance Studies is the first collection of essays to critically examine the profound contributions that Schechner has made to Performance Studies as a discipline.
JAMES HARDING is Professor of English at the University of Mary Washington, USA. He is a former editor of Theatre Survey, and the author of Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde and Adorno and a Writing of the Ruins: Essays on Anglo-American Literature and Culture. He is currently finishing a new monograph entitled Decentering the Edge: Critical Theories of Avant-Garde Performance.
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