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by Jun'ichiro Tanizaki (Author), Anthony H. Chambers (Translator)
With a precision and brilliance unmatched perhaps by any other novelist of the twentieth century, Junichiro Tanizaki interweaves a sense of his country's deep past with the kind of pathologies and obsessions we are likely to think of as modern. Here, in two eerie and beautiful novellas, he displays this skill at its most elegant and affecting.
One of the great novelists of the twentieth century, Junichiro Tanizaki wrote about love--and sex--with a breathtaking suppleness of style and a vast depth of literary allusion. In these two novellas, brilliantly translated by Anthony H. Chambers and appearing in paperback for the first time, Tanizaki probes the translucent screen that separates idealized yearning from humiliating obsession in a society of impenetrable decorum.
Junichiro Tanizaki was born in Tokyo in 1886 and lived there until the earthquake of 1923, when he moved to the Kyoto-Osaka region, the scene of his novel The Makioka Sisters (1943-48). Among his works are Naomi (1924), Some Prefer Nettles (1928), Quicksand (1930), Arrowroot (1931), A Portrait of Shunkin (1933), The Secret History of the Lord of Musashi (1935), modern versions of The Tale of Genji (1941, 1954, and 1965), Captain Shigemoto's Mother (1949), The Key (1956), and Diary of a Mad Old Man (1961). By 1930 he had gained such renown that an edition of his complete works was published, and he was awarded Japan's Imperial Prize in Literature in 1949. Tanizaki died in 1965.
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