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by James Morrison (Editor), Thomas Schur (Editor)
Despite overwhelming acclaim for his work, director Terrence Malick remains an under-examined figure of an era of filmmaking that also produced such notables as Robert Altman, Francis Ford Coppola, and Martin Scorsese. His films Badlands and Days of Heaven remain benchmarks of American cinema, while his recent The Thin Red Line returned him to the pantheon of American directors. In this new study, authors James Morrison and Thomas Schur examine each of his films in detail, drawing on extensive archival research to construct a portrait of his working methods as a director as well as the thematic, aesthetic, and cultural components of his work.
JAMES MORRISON teaches literature and film at Claremont McKenna College. He is the author of Passport to Hollywood, a critical study, and Broken Fever, a memoir. He is currently completing a study of mass culture and the sublime in Hollywood movies, has published several short stories, and is at work on a novel.
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