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by Henry James (Author), Adrian Poole (Editor)
"There's no baseness I wouldn't commit for Jeffrey Aspern's sake." The Aspern Papers is one of James's best-known and most accomplished novellas, whose plot foreshadows the modern cult of the writer as celebrity, and the hunger to uncover previously unseen writings. Indeed, in all four stories collected here--including "The Death of the Lion," "The Figure in the Carpet" and "The Birthplace"--the figure of the artist is central. Extraordinarily prophetic, James explores the emergent new cult of the writer as celebrity, and asks: can the person behind the art ever truly be known, and can our knowledge of the artist's life ever explain the act of creativity.
Adrian Poole has written extensively on Henry James and has edited What Maisie Knew, The American, and Washington Square for Oxford World's Classics. He is the editor of the Cambridge Companion to English Novelists (2009), The Oxford Book of Classical Verse with Jeremy Maule (1995; reissued 2000), and the author of Tragedy: a Very Short Introduction (2005).
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