by Miriam J. Petty (Author)

Stealing the Show is a study of African American actors in Hollywood during the 1930s, a decade that saw the consolidation of stardom as a potent cultural and industrial force. Petty focuses on five performers whose Hollywood film careers flourished during this period--Louise Beavers, Fredi Washington, Lincoln "Stepin Fetchit" Perry, Bill "Bojangles" Robinson, and Hattie McDaniel--to reveal the "problematic stardom" and the enduring, interdependent patterns of performance and spectatorship for performers and audiences of color. She maps how these actors--though regularly cast in stereotyped and marginalized roles--employed various strategies of cinematic and extracinematic performance to negotiate their complex positions in Hollywood and to ultimately "steal the show." Drawing on a variety of source materials, Petty explores these stars' reception among Black audiences and theorizes African American viewership in the early twentieth century. Her book is an important and welcome contribution to the literature on the movies.

Front Jacket

This major work of film and cultural studies scholarship brilliantly unpacks what is at stake in the common expression 'stealing the show' in the context of African American tradition and performance. The detailed analyses of performance--of how Hattie McDaniel acts, how Bill Robinson dances, how Lincoln Perry's Stepin Fetchit speaks and moves--manage to be at once evocative and rigorous. These are worked together with contextual moves that are at once surprising and yet, once made, made one wonder why they had not been pressed home before: McDaniel in relation to iconic earlier African American women activists, for instance; discourses and technologies of skin color in relation to the use of star images in Imitation of Life; children as spectators within and beyond the films of Bill Robinson. Beautifully written, Stealing the Show has found a way to analyze in detail and with precision the common perception of the remarkable achievements of African American performers in the face of the roles they were obliged to play, on and off screen. In the process, Miriam Petty has produced an important, engaging, and exemplary work of textually and historically sensitive cultural analysis.--Richard Dyer, King's College London and St. Andrews University

Author Biography

Miriam J. Petty is Associate Professor and Screen Cultures Director of Graduate Studies in the Department of Film, Radio, and Television at Northwestern University.

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