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by Michael B. Bakan (Author), Mara Chasar (With), Graeme Gibson (With)
Since the advent of autism as a diagnosed condition in the 1940s, the importance of music in the lives of autistic people has been widely observed and studied. Articles on musical savants, extraordinary feats of musical memory, unusually high rates of absolute or "perfect" pitch, and the effectiveness of music-based therapies abound in the autism literature. Meanwhile, music scholars and historians have posited autism-centered explanatory models to account for the unique musical artistry of everyone from B�la Bart�k and Glenn Gould to "Blind Tom" Wiggins.
Michael Bakan is Professor of Ethnomusicology at Florida State University. His more than fifty publications include the books World Music: Traditions and Transformations and Music of Death and New Creation, as well as articles and book chapters on topics ranging from the ethnomusicology of autism to cinematic music and postmodernism. Bakan serves on the Board of Directors of the Society for Ethnomusicology and as series editor for the Routledge Focus on World Music book series. As a percussionist, he has performed with John Cage, Tito Puente, Rudolf Serkin, George Clinton and Parliament-Funkadelic, and several leading gamelan groups in Bali, Indonesia.
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