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by Martha Mockus (Author)
Crafting a dynamic relationship between feminism and music-making, this book offers a queerly original analysis of Oliveros's work as a musical form of feminist activism and argues for the productive role of experimental music in lesbian feminist theory.
Martha Mockus teaches in the Women's Studies Program at Hamilton College where she holds the Jane Watson Irwin Chair, 2006-08. Her published work addresses musical performance as a form of feminist and queer critique.
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