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by Clare Croft (Editor)
If we imagine multiple ways of being together, how might that shift choreographic practices and help us imagine ways groups assemble in more varied ways than just pairing another man with another woman? How might dancing queerly ask us to imagine futures through something other than heterosexuality and reproduction? How does challenging gender binaries always mean thinking about race, thinking about the postcolonial, about ableism? What are the arbitrary rules structuring dance in all its arenas, whether concert and social or commercial and competition, and how do we see those invisible structures and work to disrupt them?
Clare Croft is a dance historian, theorist, dramaturg, and curator. She is the editor and curator of Queer Dance, and the author of Dancers as Diplomats. Her writing about dance and performance has appeared in academic journals, including Theatre Journal and Dance Research Journal, and she has been a regular contributor to a number of newspapers, including The Washington Post and the Austin American-Statesman. She is an Assistant Professor in the Department of Dance at the University of Michigan, where she teaches in the BFA and MFA Dance programs.
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