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by Susanna Avery-Quash (Editor), Kathryn Brown (Editor), Barbara Pezzini (Editor)
As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion.
Susanna Avery-Quash is Senior Research Curator (History of Collecting) at the National Gallery, UK, where she is responsible for activities associated with the Gallery's research strand 'Buying, Collecting and Display'. Her recent publications concerning the history of collecting and the art market include three co-edited volumes which each appeared in 2019: London and the Emergence of a European Art Market, 1780-1820, The Georgian London Town House: Building, Collecting and Display and Leonardo in Britain: Collections and Reception History.
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