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by Calvin Tomkins (Author)
Calvin Tomkins first discovered the work of Robert Rauschenberg in the late 1950s, when he began to look seriously at contemporary art. While gazing at Rauschenberg's painting Double Feature, Tomkins felt compelled to make some kind of literal connection to the work, and it is in that sprit that "for the last forty years it's been [his] ambition to write about contemporary art not as a critic or a judge, but as a participant." Tomkins has spent many of those years writing about Robert Rauschenberg, whom he rapidly came to see as "one of the most inventive and influential artists of his generation." So it seemed natural to make Rauschenberg the focus of Off the Wall, which deals with the radical changes that have made advanced visual art such a powerful force in the world.
Calvin Tomkins, a staff writer for The New Yorker since 1960, has written more than a dozen books, including the bestseller Living Well Is the Best Revenge, Merchants and Masterpieces: The Story of the Metropolitan Museum of Art, The Bride and the Bachelors, and his highly acclaimed biography Duchamp. He lives in New York city with his wife Dodie Kazanjian.
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