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by Robert Lang (Author)
Tunisian cinema is often described as the most daring of all Arab cinemas. For many, Tunisia appeared to be a model of equipoise between "East" and "West," and yet, during Zine El Abidine Ben Ali's presidency, from 1987 to 2011, the country became the most repressive state in the Maghreb. Against considerable odds, a generation of filmmakers emerged in the mid-1980s to make films that are allegories of resistance to the increasingly illiberal trends that were marking their society.
Robert Lang is professor of cinema at the University of Hartford. He is the author of Masculine Interests: Homoerotics in Hollywood Film and American Film Melodrama: Griffith, Vidor, Minnelli and the editor of The Birth of a Nation: D. W. Griffith, Director. He was a Fulbright Senior Scholar at the University of Tunis from 1993 to 1994 and from 2001 to 2003.
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