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by Eric Lott (Author), Greil Marcus (Foreword by)
For over two centuries, America has celebrated the same African-American culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show appropriated black dialect, music, and dance; at once applauded and lampooned black culture; and, ironically, contributed to a "blackening of America."
Eric Lott is Professor of English at the University of Virginia. He is the author of The Disappearing Liberal Intellectual.
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