by Elizabeth Gaskell (Author), Laura Kranzler (Editor)

Chilling tales that blend the real and the supernatural to eerie, compelling effect

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The curse -- the curse! I looked up in terror. In the great mirror opposite I saw myself, and right behind, another wicked, fearful self'

An encounter with the supernatural in an everyday setting accentuates its strangeness; a truth used to eerie effect in Gaskell's Gothic tales. A portrait turned to the wall, a hidden manuscript, a mysterious child that lives on the freezing moors, a doppelganger formed by a woman's bitter curse: all of these things hint at male tyranny and woman as avenging angel -- or devil.

Gaskell was fascinated by the dualities in women's lives and the way in which fact and fiction merge. 'Disappearances', a mix of gossip, legend and fact, relates stories of mysterious vanishings, 'Lois the Witch', a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to communal hysteria and persecution, while 'The Grey Woman' explores a common Gothic theme, the way in which the ghosts of the past always return to haunt us.

Author Biography

Elizabeth Gaskell (1810-65) wrote her first novel, MARY BARTON, in 1848 as a distraction from her sorrow at the death of her only son in infancy. It won the attention of Dickens and was followed by 5 other full-length novels as well as numerous short stories and novellas. Laura Kranzler has written on Mary Shelley and Virginia Woolf and has published a novel.

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