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by Jonathan Cott (Author)
One of the most idiosyncratic and charismatic musicians of the twentieth century, pianist Glenn Gould (1932-82) slouched at the piano from a sawed-down wooden stool, interpreting Bach, Beethoven, and Mozart at hastened tempos with pristine clarity. A strange genius and true eccentric, Gould was renowned not only for his musical gifts but also for his erratic behavior: he often hummed aloud during concerts and appeared in unpressed tails, fingerless gloves, and fur coats. In 1964, at the height of his controversial career, he abandoned the stage completely to focus instead on recording and writing.
Jonathan Cott is a contributing editor at Rolling Stone and has written for the New York Times and the New Yorker. He is the author of the forthcoming On the Sea of Memory, a collection of poems, a critical biography of Bob Dylan, a number of collections of interviews--including Visions and Voices--and a collection of writing on music, Back to a Shadow in the Night: Music Writings and Interviews 1968-1991. He is the editor of Studs Terkel's forthcoming book And They All Sang, a collection of Terkel's interviews with musical personalities.
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