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by David Weir (Author)
The Romantic myth of Bohemia originated in the early nineteenth century as a way of describing the new conditions faced by artists and writers when the previous system of aristocratic patronage collapsed in the wake of the Age of Revolution. Without the patron system, the artist was free to move around, to seek an audience wherever fortune beckoned. This marketing model likening the artist's vagabond career to the "gypsy" life helps to explain part of the bohemian myth, but not all of it. Most bohemians have scant interest in commercial gain and are not so itinerant after all, confining their movements to down-market urban neighbourhoods where the rent is cheap and the morals are loose.
David Weir is Distinguished Visiting Scholar at Goldsmiths, University of London, and Professor Emeritus of Comparative Literature at Cooper Union in New York City. He has published ten books, two on film directors (Jean Vigo and Ernst Lubitsch), two on James Joyce, and several on such topics as orientalism, anarchism, and decadence, including Decadence: A Very Short Introduction. He also co-edited, with Jane Desmarais, Decadence and Literature and The Oxford Handbook of Decadence.
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