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by Emiko Ohnuki-Tierney (Author)
Why did almost one thousand highly educated "student soldiers" volunteer to serve in Japan's tokkotai (kamikaze) operations near the end of World War II, even though Japan was losing the war? In this fascinating study of the role of symbolism and aesthetics in totalitarian ideology, Emiko Ohnuki-Tierney shows how the state manipulated the time-honored Japanese symbol of the cherry blossom to convince people that it was their honor to "die like beautiful falling cherry petals" for the emperor.
Why did almost one thousand highly educated student soldiers volunteer to serve in Japan's tokkotai (kamikaze) operations near the end of World War II, even though Japan was losing the war? In this fascinating study of the role of symbolism and aesthetics in totalitarian ideology, Emiko Ohnuki-Tierney shows how the state manipulated the time-honored Japanese symbol of the cherry blossom to convince people that it was their honor to die like beautiful falling cherry petals for the emperor.
Emiko Ohnuki-Tierney is the William F. Vilas Research Professor in the Department of Anthropology at the University of Wisconsin-Madison. She is the author of a number of books in English and Japanese, most recently Rice as Self: Japanese Identities through Time; The Monkey as Mirror: Symbolic Transformations in Japanese History and Ritual; and Illness and Culture in Contemporary Japan.
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